









If
you are looking for a smooth riding horse with an aristocratic and majestic
history, look no further, the Peruvian Paso fits the bill.
Over 400 years of tradition remain unchanged even in this day of modern techniques.
From the breeding, training, tack, and the way the horses are presented in
the show ring, the Peruvian breeders and their counterparts around the world
have not changed their horse handling methods.
The Peruvian Paso was linked to the upper class of Peru who were attracted
to the breed by its aristocratic appeal, a means of comfortable transportation,
and their beauty. The landowners bred stock for their own use, sharing a stallion,
or a mare with a neighbor who admired them, and felt they would improve his
herd. Thus the desirable traits, disposition, gait, conformation, and soundness
were improved over the centuries.
The Peruvian Paso's trainer is called a Chalan. The Chalan maintains the horse's
gentle nature with patience and kindness. Young horses begin their ground-work
as yearlings and continue until the age of 3 to 3 1/2, when work under saddle
begins. Progress is slow, but the Chalan will develop the horse's muscles
and encourage it to move properly. All Peruvian Paso's are worked in the bozal
at first, which is similar to the western bosal, but is fastened securely
around the mussel with the reins attached at the top on each side. This promotes
the carriage of a high headset, which is allowed in the young horse. It allows
the horse to take long steps and encourage it's famous "advance".
The tack used with Peruvian Paso's is as unique as the breed and exemplifies
natural Peruvian art and Spanish design. The bridle is fashioned of fine strands
of braided leather and adorned with silver buttons and barrels. The reins
and romal are made of the same finely braided leather, with the heavier reins
being used for training while the finer designs are used for the show ring.
The saddle, designed with a narrow tree and round high pomel and cantle, is
typical of Spanish style. The saddles design encourages the looseness of the
horse's movements. All Peruvian saddles have a guarnicion, a unique tail piece
that is attached to the rear of the saddle and covers the crupper and the
tail, many adorned with intricate engraved art. The stirrups are usually pyramid-shaped,
and made of wood. They have metal loops at the top which allows the stirrup
to revolve for easier mounting.
The Peruvian Paso is trained and shown without aids. The hoofs are short and
natural without shoes, while mane, fore-lock and tail are kept long. It's
head carriage is high and stately, a reflection of it's natural "extension"
and "reach".
The Chalan wears the traditional tropical whites and stylish Peruvian hat.
It is also tradition to wear a poncho and scarf while riding in the show-ring.
The horses are shown in gait with the paso llano being preferred, while the
sobreandando is acceptable. (The paso llano is a perfectly timed four beat
lateral gait that maintain 3 points (legs and feet) on the ground, giving
the smoothest of rides, while the sobreandando is a lateral gait which is
closer to the pace with 2 points on the same side being on the ground, not
being quite as smooth as the paso llano.
The Peruvian traditions of horsemanship and management have been long standing
and result in a horse that has that mystique and foreign flavor that reflects
it's true Spainish heritage.



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